Gay scenes in game of thrones
Queer Atmospheres
Like many things that happen on Twitter, Game of Thrones discourse is quite tedious. When the first episode of House of the Dragon debuted in August, tedious discussions about the show’s “misogynistic” flaws collided with peoples puritan views on violence on screen, making it clear that the discourse that surrounded Game of Thrones over a decade ago, was still alive and well. While these views of the show and George R.R. Martin’s original work care for to bore me to tears, I do detect myself increasingly worried with the adaptations treatment of gay characters.
Like many lgbtq+ teen’s, I started watching Game of Thrones after seeing a gifset of Loras Tyrell and Renly Baratheon on Tumblr when I was thirteen. I watched the first episode alone, and then realizing there were books, study those first. Now, I wasn’t surprised by the lack of gay text in these books, but rather, the compassion that is shown to these characters from Martin. So, colour me surprised when I watched the first two seasons of the show and found the adaptation lacking in it’s queer department.
Loras and Renly are not point of view characters in any of the “Song of Ice and Fire” nove
Game of Thrones is back. The most-watched show from HBO in nearly half a century is in its residence straight after seven years – and the last six episodes will be among the most expensive television ever made. Given the way the society of television is rapidly splintering into audiences self-scheduling their viewing across distinct platforms, the show’s final episode could be the last global TV mega-event. Watch it or not, you will have heard of it. And it matters.
It matters in terms of advocacy. This show will be screened in countries where homosexuality is illegal, where women’s sexual choices are controlled and where trans identities are violently conquered. How GoT reflects sexuality and what lessons are implied is culturally significant. As the demonstrate moves towards its conclusion, it’s hour to ask whether, given that cultural importance, the exhibit has missed an opportunity with its queer storylines.
The story’s creator, George R.R. Martin, acknowledges his general debt to European history for inspiring plots and characters. At a recent fan convention, Martin identified some specific queer icons of the past, citing Alexander the Great, Richard the Lionheart, and Edward II an
Game of Thrones designer George RR Martin has revealed why there are no gay sex scenes in his bestselling novel series.
Responding to a question at a book festival, the author explained that his fantasy novels are narrated through "viewpoint" characters. As none of those characters are gay, there own been no explicit gay sex scenes in the Winterfell novels to date.
But in HBO's television adaptation, the approach could be diverse, he suggested. "A television show doesn't have those limitations," he told the audience at the Edinburgh International Literary Festival.
Subscribe to The Week
Escape your echo chamber. Get the facts behind the news, plus assessment from multiple perspectives.
SUBSCRIBE & Store
Sign up for The Week's Free Newsletters
From our morning news briefing to a weekly Fine News Newsletter, obtain the best of The Week delivered directly to your inbox.
From our morning news briefing to a weekly Excellent News Newsletter, gain the best of The Week delivered directly to your inbox.
He also said readers should not rule out man-on-man action in the series’ remaining novels. "Will that change? It might," he said. "I've had letters from fans who want m
As I mentioned in my review of Episode Four, the narrative of HBO’s A Game of Thrones has been slowly threatening to come unhinged. Scenes have been added that I feel detract from the most important characters, leaving a small void in their stories. “The Wolf and the Lion,” unfortunately, does more of the same, but to even worse degrees.
Episode Five is, thus far, the only underprivileged episode this season. While there is much to love about the episode (Arya chasing cats; more of the tournament; more of Eddard Stark and the mysteries of King’s Landing; the Eyrie (sort of); and many sword battles and gruesome deaths), its greatest flaws lie in its addition of scenes which have no direct bearing on the story-lines that matter. I’ll only talk at length about the worst of them, but there are easily fifteen minutes of unnecessary nonsense in this episode, all of which accept away from some of the more interesting aspects of this stretch of A Game of Thrones. The Eyrie, for example, gets crapped on, with less than five minutes
spent showing it from inside and out. It’s even incorrectly designed, with the Eyrie its