Gay cinema san francisco

Power Exchange

This converted storefront opened as the Screening Room on April 10, 1967 with “Sylvia’s Girls” & “Girls-A-Poppin”. It operated for a couple of months then closed down. It reopened on March 2, 1968 with “The Vampire Goes Courting” as one of the first theatres in San Francisco that showed hardcore porn. (Numerous other “storefront” theatres would open in the late-1960’s and 1970’s throughout San Francisco and several other cities.) Initially, the program would consist of 16mm silent loops with a record providing musical accompaniment, but eventually 16mm full-length features would take off.

In 1970, theatre owner Alex DeRenzy exhibited what was the first full-length rigid porn feature, a “documentary” called “Pornography in Denmark: A New Approach”. This feature, premiered at his North Beach Movie, before transferring to the Evaluating Room, where it grossed $25,000 in its first week in exhibition (It would eventually gross over $2 million). The triumph of this theatre would lead to De Renzy operating other theatres in San Francisco for a time: North Beach M

Queer

Guadagnino’s filmmaking has never been more vivid.” The San Francisco Chronicle, Michael Ordoña.

…you won’t regret getting swept up in the journey.” Slashfilm, Jeremy Mathai.

A stunning film about male loneliness, and the way a solitary life can so easily shade into a life sentence.” The Telegraph, Robbie Collin.

1950. William Lee, an American expat in Mexico Metropolis, spends his days almost entirely alone, except for a few contacts with other members of the small American community. His meeting with Eugene Allerton, an expat former soldier, new to the city, shows him, for the first time, that it might be finally possible to establish an intimate connection with somebody.

Presented by OUTlook.

Open Caption Screening on January 16

Language
English and Spanish with English Subtitles
First Showing
December 27, 2024

San Francisco Leather Week is the world’s first cultural festival focused on the art, history, and culture of the worldwide Leather and LGBTQ+ communities. Kicking off with the 31st Annual Leather Walk and San Francisco Leather PrideFest hosted by SF Eagle Bar, Leatherfolk and their supporters will come together to link, celebrate, and deepen their truth and appreciation of leather cultural.


Rest In Peace Wild Bill.

In the early months of 1980, William Friedkin’s incendiary crime thriller CRUISING opened across the nation to almost unanimously negative reviews. Friedkin’s film centered around the activities of a straight Modern York cop assigned to leave undercover as a gay male in the city’s underground S&M club scene in order to snare a serial killer operating in that world, now responsible for a growing list of brutal, grisly murders. The squeeze took the film severely to task at the time, excoriating it for sensationalizing the homophobic violence erupting in gay communities at the dawn of the AIDS epidemic and crowds stayed away in droves, especially in San Francisco where protestors formed human barricades to prevent patrons from entering theaters showing the film

The 2O24 - 2O25 RHINO SEASON is here!

Our production venue is:

Theatre Rhinoceros
4229 18th Avenue (in the Castro)
San Francisco, CA
94114

UP NEXT

Theatre Rhinoceros and The Necessary Services Project (ESP) present a inhabit, in-person, presentation:

LITTLE LEAGUE
Conceived and Performed by John Fisher
* One Night Only *
Saturday July 26, 2025
8:00PM PST
 
FREE
NO RESERVATION NECESSARY
JUST SHOW UP!

ESP – An Crucial Services Project

Live, in-person at

Theatre Rhinoceros

4229 18th Street

San Francisco, CA 94114

Watch Live Online

Press

CLICK FOR MORE INFORMATION

In Memoriam
Ira Kurlander

We mourn the passing of Ira Kurlander. Ira was a excellent friend of Theatre Rhinoceros and a very good guy. He was also a brilliant architect whose work was covered in ARCHITECTURAL DIGEST and was listed in the AIA GUIDE. He and his husband Andrew Guest hosted many out-of-town Rhino artists in their Ira designed Po-Mo Masterpiece in Cole Valley. They were also great supporters of our function and ready audience members at virtually all of our productions. We shall miss Ira’s ready wit, endless great cheer, and terrif